All the Cats Join In

Composed by
Ray Gilbert, Eddie Sauter & Alec Wilder
Arranged by
Jock McKenzie
Price
£ 25.00 

All the Cats Join In is a song written by Ray Gilbert, Eddie Sauter and Alec Wilder, and first recorded by Benny Goodman.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

All the Cats Join In is a song written by Ray Gilbert, Eddie Sauter and Alec Wilder, and first recorded by Benny Goodman. It was a track on an LP with the same title by trumpeter Buck Clayton. Curiously, Goodman recorded this song three times. The third recording was for a segment of the 1946 Walt Disney film Make Mine Music. The original album was subtitled 25 Star Jazzmen in a Buck Clayton Jam Session and was released by Columbia. The Allmusic review by Scott Yanow stated "Everyone plays at least up to their usual high level and the riffing behind some of the solos really generates a lot of excitement”.

Ray Gilbert (September 1912 – March 1976) was an American lyricist. He grew up in Hartford, Connecticut. Gilbert is best remembered for the lyrics to the Oscar-winning song Zip-a-Dee-Doo-Dah from the film Song of the South, which he wrote with Allie Wrubel in 1947. He also wrote American English lyrics for the songs in The Three Caballeros featuring Donald Duck. He also wrote the lyrics for Paul Nero's composition The Hot Canary and athe English lyrics of the Andy Williams' 1965 hit, ...and Roses and Roses. Gilbert also wrote the English lyrics for a number of songs composed by Antonio Carlos Jobim, including Dindi, Amor em Paz (Once I Loved), and Inútil Paisagem (Useless Landscape/If You Never Come to Me).

Edward Ernest Sauter (December 1914 – April 1981) was an American composer and arranger during the swing era. He arranged and composed for Artie Shaw, Tommy Dorsey, Woody Herman, and especially Benny Goodman, earning a reputation for intricate work such as Benny Rides Again, Moonlight on the Ganges, and Clarinet a la King. He worked with tenor saxophonist Stan Getz on the album Focus, a collaboration for which Sauter at Getz's commission wrote a suite of string compositions without primary melodies. This allowed Getz to improvise them in his customary style. Sauter and Getz collaborated again during Sauter's work composing the score for the film Mickey One (1965), which starred Warren Beatty. Sauter's television composing includes the third season theme to Rod Serling's Night Gallery. In 2003, Sauter was inducted into the Big Band and Jazz Hall of Fame. Although Sauter is best known for jazz, he also orchestrated Broadway musicals such as 1776, The Apple Tree, and It's a Bird...It's a Plane...It's Superman.

Alexander Lafayette Chew Wilder (February 1907 – December 1980) was an American composer. He was good friends with Frank Sinatra, Peggy Lee, Tony Bennett and others who helped develop the American popular music canon. Among the popular songs he wrote or co-wrote were I'll Be Around (a hit for the Mills Brothers), While We're Young (recorded by Peggy Lee and many others), Blackberry Winter, and Where Do You Go? (recorded by Sinatra). Wilder occasionally wrote his own lyrics, including for his most famous song I'll Be Around. In addition to writing popular songs, Wilder also composed classical pieces for unique combinations of orchestral instruments. His classical numbers, which often had off-beat, humorous titles (The Hotel Detective Registers), were strongly influenced by jazz. He wrote eleven operas; one of which, Miss Chicken Little (1953), was commissioned for television by CBS. Wilder also arranged a series of Christmas carols for Tubachristmas. Another recording project saw Sinatra conduct the Columbia String Orchestra on Frank Sinatra Conducts the Music of Alec Wilder, an album of Wilder's classical music (1946). Wilder also contributed two tone poems, Grey and Blue, to the 1956 album, Frank Sinatra Conducts Tone Poems of Colour. Wilder wrote the definitive book on American Popular Song: The Great Innovators, between 1900–1950 (1972).[1] He also featured on a radio series based on the book broadcast in the middle to late ‘70s.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

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