Don't Start Now

Composed by
Dua Lipa
Arranged by
Chris Wilcox
Price
£ 20.00 

Don't Start Now is a nu-disco song set over a house beat and featuring elements of dance-pop and Eurodance featuring a string-backed 1980’s synth-pop chorus that makes use of a cowbell.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part A – Trumpet / Cornet in Bb
  • Part B – Trumpet / Cornet in Bb
  • Part C – French Horn (or Tenor Horn)
  • Part D – Trombone 1 (or Baritone/Euphonium 1)
  • Part E - Tuba (or Trombone 2 or Baritone/Euphonium 2)
  • Drum Kit

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Description

5 Part Pops for Brass is part of a new collection of Pop inspired arrangements for Brass Quintet arranged by Chris Wilcox.

We hope this repertoire will prompt a growing inquisitiveness for young brass players, and was created with a brass club or gathering in mind.

All transposed parts are included.

Don't Start Now is a song by English singer Dua Lipa from her second studio album, Future Nostalgia (2020). Lipa wrote the song with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick. The song was released for digital download and streaming by Warner Records on 31 October 2019 as the lead single from the album. A nu-disco song, it features a funky bassline, inspired by music by the Bee Gees, Daft Punk and Two Door Cinema Club. Elements used in the production include handclaps, a crowd noise, cowbells, synth bursts and accented strings. Lyrically, Lipa celebrates her independence and instructs a former lover to forget about their past relationship. Don't Start Now received highly positive reviews upon its release, with many reviewers noting significant growth in Lipa's sound and vocals. Critics also praised the use of 1980s and disco sounds for standing out among other pop releases at the time. At the 63rd Annual Grammy Awards, the song was nominated in three categories: Record of the Year, Song of the Year, and Best Pop Solo Performance. The song peaked at number two on both the UK Singles Chart and the US Billboard Hot 100. In the UK, the song registered the sixth-longest top 10 stay on the chart, and broke a record for the most weeks spent in the top 10 without reaching number one. The song is considered to be the beginning of a revival for disco music in 2020 as downtempo, urban-styled music previously dominated mainstream music. The music video was directed by Nabil Elderkin and filmed in Brooklyn. It features point-of-view and high-angle shots of Lipa dancing at a crowded nightclub and masquerade ball. To promote the song, Lipa performed it on many television programmes and awards shows, including the 2019 MTV Europe Music Awards and the 2019 American Music Awards. Numerous remixes have accompanied the song, including an extended Live in L.A. Remix which features a 19-piece live band, for which an accompanying music video directed by Daniel Carberry was also released.

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

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