Don't You Want Me

Composed by
The Human League
Arranged by
Chris Wilcox
Price
£ 20.00 

Don't You Want Me is a song by British synthpop group The Human League. It was released in November 1981 as a single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the biggest selling UK single of 1981, that year's Christmas number one.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part A – Trumpet / Cornet in Bb
  • Part B – Trumpet / Cornet in Bb
  • Part C – French Horn (or Tenor Horn)
  • Part D – Trombone 1 (or Baritone/Euphonium 1)
  • Part E - Tuba (or Trombone 2 or Baritone/Euphonium 2)
  • Drum Kit

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Description

5 Part Pops for Brass is part of a new collection of Pop inspired arrangements for Brass Quintet arranged by Chris Wilcox.

We hope this repertoire will prompt a growing inquisitiveness for young brass players, and was created with a brass club or gathering in mind.

All transposed parts are included.

In November 1983, Rolling Stone Magazine named Don't You Want me the breakthrough song of the Second British Invasion of the US. In 2015. The lyrics were inspired after lead singer Philip Oakey read a photo-story in a teen-girl's magazine. Though the song had been conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band's two female vocalists. Susan Ann Sulley was then asked to take on the role. Until then, she and the other female vocalist, Joanne Catherall, had only been assigned backing vocals. Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics that was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey's opinion, "poppy" sound. Oakey hated the new version and thought it would be the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on side two of the album. Today, the song is widely considered a classic of its era. In a retrospective review, the senior editor for AllMusic, described the song as "a devastating chronicle of a frayed romance wrapped in the greatest pop hooks and production of its year." Fellow new wave musician Graham Parker praised the song, saying, "I just love that catchy chorus." Oakey still describes it as overrated, but acknowledges his initial dismissal was misguided and claims pride in the track. The video for the song was filmed near Slough, Berkshire, during November 1981 and has the theme of the filming and editing of a murder-mystery film, featuring the band members as characters and production staff, with crew and camera apparatus appearing throughout. The video was conceived and directed by the Irish filmmaker Steve Barron, and has at its core the interaction between a successful actress played by Sulley walking out on "film director" Philip Oakey on a film set. Filmed on a cold, wet winter night, the video was shot on 35mm film instead of the cheaper videotape prevalent at the time. Barron was heavily influenced by the cinematography in Ultravox's video for "Vienna" . The video is credited for making Oakey, Sulley and Catherall visual icons of the early 1980s. In 1989, English pop singer Mandy Smith covered this song and British band the Farm also releasing a cover in October 1992. Don't You Want Me was also recorded as a Eurodance song by Swedish band Alcazar, released in 2002. 

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

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