Everybody Wants to be a Cat

Composed by
Floyd Huddleston & Al Rinker
Arranged by
Jock McKenzie
Price
£ 20.00 

Everybody Wants to be a Cat from The Aristocats. Composed by Floyd Huddleston & Al Rinker

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 in Bb
  • Part 2 in Bb
  • Part 3 in F, Eb, C and Bb
  • Part 4 in Eb, C and Bb
  • All Alternative Transposed Parts Included

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Description

Everybody Wants to Be a Cat is a song featured in Disney's The Aristocats. The song is sung by Scatman Crothers as Scat Cat, Phil Harris as Thomas O'Malley, Thurl Ravenscroft as Billy Boss the Russian Cat, Robie Lester as Duchess and Liz English as Marie. The song was later referenced in the live-action remake of 101 Dalmatians, which the puppies ended up watching before switching to Homeward Bound: The Incredible Journey. Toulouse is the one saying "groovy mama groovy" and playing the piano, when it's supposed to be Berlioz, because Toulouse is an artist, and this goes also for Berlioz, seen blowing the trumpet.

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

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