Fairytale of New York

Composed by
Jem Finer & Shane MacGowan
Arranged by
Jock McKenzie
Price
£ 25.00 

Fairytale of New York is a song written by Jem Finer and Shane MacGowan and recorded by their band the Pogues, featuring singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with MacGowan taking the role of the male character alongside MacColl.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion (Tom-toms, Sleigh Bells and Glockenspiel)
  • All Alternative Brass Parts Included

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Description

Fairytale of New York is a song written by Jem Finer and Shane MacGowan and recorded by their band the Pogues, featuring singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with MacGowan taking the role of the male character alongside MacColl. It was originally released as a single on 23 November 1987 and later featured on the Pogues' 1988 album If I Should Fall from Grace with God. The song had a troubled two-year development history, undergoing rewrites and aborted attempts at recording, and losing its original female vocalist along the way before finally being completed in August 1987. The single never reached the coveted UK Christmas number one, being kept at number two. In the UK, Fairytale of New York is the most-played Christmas song of the 21st century and is frequently cited as the best Christmas song of all time in various media related polls in the UK. The origins of the song are disputed, MacGowan insisted that it arose as a result of a bet made by the Pogues' producer at the time, Elvis Costello, that the band would not be able to write a Christmas hit single. Banjo player Finer came up with the melody and the original concept for the song. The song follows an Irish immigrant's Christmas Eve reverie about holidays past while sleeping off a binge in a New York City drunk tank. The Pogues were an English Celtic punk band fronted by Shane MacGowan and founded in Kings Cross, London in 1982 as Pogue Mahone – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. Their politically-tinged music was informed by MacGowan and Spider Stacy's punk backgrounds yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion.


“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com
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