Pavane

Composed by
Gabriel Fauré
Arranged by
Ian Shepherd
Price
£ 18.00 

The Pavane in F-sharp minor, Op. 50 was written in 1887, originally a piano solo piece, but is better known in Fauré's own version for orchestra and optional chorus.

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  • 4 Trumpets
  • 1 Horn in F
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  • 1 Tuba
  • Trumpet 1 requires Piccolo Trumpet
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Description

Gabriel Urbain Fauré (1845 –1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Nocturnes for piano and the songs "Après un Rêve" and "Clair de Lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime. Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

The Pavane in F-sharp minor, Op.50 was written in 1887, originally a piano solo piece, but is better known in Fauré's own version for orchestra and optional chorus. Obtaining itsrhythm from the slow processional Spanish court dance of the same name, the Pavane ebbs and flows from a series ofand melodic climaxes, conjuring a haunting Belle Époque elegance. The piece is scored for only modestorchestral forces consisting of string instruments and one pair each of flutes clarinets, bassoons, and horns. From the outset, the Pavane has enjoyed immense popularity.

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews
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