Pavane

Composed by
Gabriel Fauré
Arranged by
Ian Shepherd
Price
£ 18.00 

The Pavane in F-sharp minor, Op. 50 was written in 1887, originally a piano solo piece, but is better known in Fauré's own version for orchestra and optional chorus.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • Trumpet 1 requires Piccolo Trumpet
  • All Alternative Brass Parts Included

Listen

Watch

Description

Gabriel Urbain Fauré (1845 –1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Nocturnes for piano and the songs "Après un Rêve" and "Clair de Lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime. Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

The Pavane in F-sharp minor, Op.50 was written in 1887, originally a piano solo piece, but is better known in Fauré's own version for orchestra and optional chorus. Obtaining itsrhythm from the slow processional Spanish court dance of the same name, the Pavane ebbs and flows from a series ofand melodic climaxes, conjuring a haunting Belle Époque elegance. The piece is scored for only modestorchestral forces consisting of string instruments and one pair each of flutes clarinets, bassoons, and horns. From the outset, the Pavane has enjoyed immense popularity.

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald
No items found.

You May Also Be Interested In

Sinfonia from Cantata BMV18

J. S. Bach
£ 16.00 

Sneakin' Home

Fats Waller
£ 18.00 

Gur Nalon

Traditional Punjabi
£ 18.00 

In the Stone

Willis, Foster & White
£ 25.00 
No items found.