Good King Wenceslas

Composed by
Traditional
Arranged by
Jock McKenzie
Price
£ 20.00 

This popular Christmas carol tells the story of a Bohemian King who braved harsh winter weather to give alms to a poor peasant. This takes place on the Feast of Stephen, the first day of Christmas (December 26th).

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • 2 Trumpets
  • 1 Horn in F
  • 1 Trombone (or Euphonium)
  • 1 Tuba
  • 1 Tambourine (Optional)
  • All Alternative Brass Parts Included

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Description

This popular Christmas carol tells the story of a Bohemian King who braved harsh winter weather to give alms to a poor peasant. This takes place on the Feast of Stephen, the first day of Christmas (December 26th). This legend is based on the life of the historical Saint Wenceslas 1, Duke of Bohemia (907 – 935). In 1853 the English hymn writer John Mason Neale wrote his own version of this tale, setting his words to the melody of a 13th century spring carol “Tempus adest floridum” which had first been published in Piae Cantiones (1582). It is this version that has endured to become the popular carol of today.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. Since 1987 Jock has based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Currently Jock holds the position of Professional Leader (Brass) for Hampshire Music Service and is the Director of the Hampshire County Youth Band. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music.

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com
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