Grand Choeur Dialogue

Composed by
Eugene Gigout
Arranged by
Jock McKenzie
Price
£ 20.00 

Gigout's best-known creation, which turns up as a frequent encore at organ recitals

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets
  • 3 Trombones (or Euphonium)
  • 1 Tuba
  • All Alternative Brass Parts Included

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Description

Eugène Gigout (March 1844 – December 1925) was a French organist and a composer. Gigout was born in Nancy and died in Paris. A pupil of Camille Saint-Saëns, he served as the organist of the French capital's Saint-Augustin Church for 62 years. He became widely known as a teacher and his output as a composer was considerable. Renowned as an expert improviser, he also founded his own music school. Other notable pieces by Gigout are is Grand Choeur Dialogué (1881), and Marche Religieuse. When Gigout published his 6 Pièces d’Rogue in 1881, the Grand Choeur Dialogue served as a finale in the French Romantic style by dint of its sheer grandiosity. Originally written entirely with a G-major key signature, Grand Choeur Dialogué’s consistent monothematic development of a simple four-bar melody, moving in and out of a variety of key centres, lasts a little over 100 bars. Nonetheless, it breaks down into three fairly equal parts. The first maintains an antiphonal nature (back and forth from one “chorus” to another) with four-square regularity, while the second part develops more imitatively and canonically without the antiphonal effect. The final part brings back some of the regularity and antiphonal nature, but never quite establishes itself as a full recapitulation.

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

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