Intrade

Composed by
Paul Peuerl
Arranged by
Jock McKenzie
Price
£ 20.00 

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Music for Brass Octet
  • In 2 Antiphonal Choirs
  • 4 Trumpets
  • 4 Trombones

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Description

Paul Peuerl (1570 - 1625) was a German-Austrian composer, organist and organ builder. From November 1601, Peuerl was organist in Horn and then later in 1609 in Steyr , where he also worked as an organ builder. He built organs in Steyr, Horn, Enns and in Wilhering Abbey, among other places. Peuerl published the first non-Italian trio sonatas (1625), which required two melodic voices accompanied by a basso continuo. His achievements are considered significant and groundbreaking for his time.

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

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