Keep the Home-Fires Burning

Composed by
Lena Guibert Ford & Ivor Novello
Arranged by
Jock McKenzie
Price
£ 20.00 

Keep the Home-Fires Burning (Till the Boys Come Home) is a British patriotic First World War song composed in 1914 by Ivor Novello with words by Lena Guilbert Ford.

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Description

Keep the Home-Fires Burning (Till the Boys Come Home) is a British patriotic First World War song composed in 1914 by Ivor Novello with words by Lena Guilbert Ford. The song was published first as Till the Boys Come Home in October 1914 by Ascherberg, Hopwood and Crew Ltd. in London. A new edition was printed in 1915 with the name Keep the Home-Fires Burning. The song became very popular in the UK during the war, along with It's a Long Way to Tipperary. James F. Harrison recorded "Keep the Home-Fires Burning" in 1915, as did Stanley Kirkby in 1916. Another popular recording was sung by tenor John McCormack in 1917. The lyricist Ford was killed in March 1918 during a German air raid on her home in Warrington Crescent in Maida Vale. There is a misconception that Ivor Novello's mother wrote the lyrics for the song. Lena Ford (an American) was a close friend and often collaborated with of Novello. The opening of the melody bears a resemblance to Gustav Holst's setting of the Christmas Carol In the Bleak Midwinter.

Lyrics include the following lines - they were summoned from the hillside, they were called in from the glen, and the country found them ready, at the stirring call for men, let no tears add to their hardships, as the soldiers pass along, and although your heart is breaking, make it sing this cheery song:

Refrain - Keep the Home Fires Burning, while your hearts are yearning. though your lads are far away, they dream of home…..

Amongst many versions, the song is sung by Joan Fontaine and a group of British soldiers in the film This Above All (1942). It was included in the 1969 musical Oh! What a Lovely War and in the 1970 musical film Darling Lili. In addition, it is featured in the 1981 film Chariots of Fire.

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

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