King Porter Stomp

Composed by
Jelly Roll Morton
Arranged by
Jock McKenzie
Price
£ 0.00 

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Welcome to Skool of Brass
  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !

Listen

Watch

Description

Part of a collection of thirty original compositions and arrangements entitled Ba-Da-Boom Brass.

Inspired by the heritage and culture of world and historical brass-related styles.

We hope this repertoire will prompt a growing inquisitiveness for brass players of all ages and styles and was created with a brass club or gathering in mind.

Set at a moderate / training band standard, these pieces can be played by a flexi group of mixed brass instruments plus assorted optional percussion.

A minimum of 4 brass players is necessary, but the maximum is limitless.

All 4 brass voices have occasional divisi passages; in these instances more texture and harmonic colour is added.

In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.

King Porter Stomp - This is an example of early Jazz music and builds on the Ragtime style that preceded it.

King Oliver himself was a cornet player, jazz band leader and composer.

Being based in the city of New Orleans his band was one of the earliest groups to be recorded; taking advantage of the new possibilities as technology advanced. Significantly, the second cornet player in King Oliver’s band was no other than a young Louis Armstrong.

Louis Armstrong would become one of the most important figures in the history of jazz music.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

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