Life On Mars

Composed by
David Bowie
Arranged by
Jock McKenzie
Price
£ 25.00 

Life on Mars was first released on David Bowie's 1971 album Hunky Dory. In 1968. Bowie was commissioned to write English lyrics for the Claude François French song Comme d'habitude. After his lyrics were rejected, songwriter Paul Anka rewrote it into My Way, which was made famous by the singer Frank Sinatra. Annoyed at the success of My Way, Bowie used the song as a template and wrote Life on Mars as a parody of Sinatra's recording. Musically, Life on Mars is described as a soaring, cinematic ballad. It is primarily glam rock, with elements of cabaret and art rock. The song has a complex structure, containing different chord changes throughout. Despite its title, the song has no connection to Mars itself.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion (Optional) - Timpani & Glockenspiel
  • All Alternative Brass Parts Included

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Description

The English singer-songwriter and actor David Bowie was born David Jones in Brixton, South London in 1947. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century. He was acclaimed by critics and musicians for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded 10 platinum album certifications, 11 gold and 8 silver, and released 11 number-one albums. Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. Space Oddity became his first big hit in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single Starman and album The Rise and Fall ofZiggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as plastic soul, garnering him his first major US crossover success with the number-one single Fame and the album Young Americans. Bowie had UK number ones with the 1980 single Ashes to Ashes. He reached his commercial peak in 1983 with Let's Dance. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986) and Pontius Pilate in The Last Temptation of Christ (1988).

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

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