Life On Mars

Composed by
David Bowie
Arranged by
Jock McKenzie
Price
£ 25.00 

Life on Mars was first released on David Bowie's 1971 album Hunky Dory. In 1968. Bowie was commissioned to write English lyrics for the Claude François French song Comme d'habitude. After his lyrics were rejected, songwriter Paul Anka rewrote it into My Way, which was made famous by the singer Frank Sinatra. Annoyed at the success of My Way, Bowie used the song as a template and wrote Life on Mars as a parody of Sinatra's recording. Musically, Life on Mars is described as a soaring, cinematic ballad. It is primarily glam rock, with elements of cabaret and art rock. The song has a complex structure, containing different chord changes throughout. Despite its title, the song has no connection to Mars itself.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion (Optional) - Timpani & Glockenspiel
  • All Alternative Brass Parts Included

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Description

The English singer-songwriter and actor David Bowie was born David Jones in Brixton, South London in 1947. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century. He was acclaimed by critics and musicians for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded 10 platinum album certifications, 11 gold and 8 silver, and released 11 number-one albums. Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. Space Oddity became his first big hit in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single Starman and album The Rise and Fall ofZiggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as plastic soul, garnering him his first major US crossover success with the number-one single Fame and the album Young Americans. Bowie had UK number ones with the 1980 single Ashes to Ashes. He reached his commercial peak in 1983 with Let's Dance. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986) and Pontius Pilate in The Last Temptation of Christ (1988).

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

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