Maccabeus

Composed by
G. F. Handel
Arranged by
Jock McKenzie
Price
£ 20.00 

This oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden in April 1746.

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Description

Handel wrote the 3 act oratorio, Judas Maccabeus, based on a libretto written by Thomas Morell. This oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden in April 1746. The libretto depicts the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not, one who defied and led through thoughts of liberty and victory was their leader Judas Maccabeus.

George Frideric Handel (1685–1759) was a German-born composer of the Baroque era, famous for his operas, oratorios, anthems and organ concertos. From an early age Handel was a skilful performer on both the harpsichord and pipe organ and went on to train in Halle, Hamburg and Italy before settling in London in 1712. He went on to become a naturalized British subject in 1727. George Frideric Handel is generally spelled and used in English-speaking countries, while in Germany he is better known as Georg Friedrich Händel. He was strongly influenced by the great composers of the Italian Baroque and the German choral tradition. Handel started three successful opera companies to supply the English nobility with Italian opera. In 1737 he became ill and had a physical breakdown. After this he changed direction creatively toward English oratorio and choral music based mainly on mythical and biblical themes. Almost blind, and having lived in England for almost fifty years, he died in 1759, a well-respected and very rich man. His funeral was given full state honours, and he was buried in Westminster Abbey. Handel is widely regarded as one of the greatest composers of the Baroque era. Works such as "The Water Music", "Music for the Royal Fireworks" and "The Messiah" still remaining hugely popular. Of his four Coronation Anthems, "Zadok the Priest", composed for the coronation of King George II, has been performed at every subsequent British coronation. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original authentic period instrumentation, interest in Handel's operas has grown.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. Since 1987 Jock has based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Currently Jock holds the position of Professional Leader (Brass) for Hampshire Music Service and is the Director of the Hampshire County Youth Band. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com
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