Machet Die Tore Weit

Composed by
Andreas Hammerschmidt 
Arranged by
Jock McKenzie
Price
£ 20.00 

Hammerschmidt wrote music in the form of the Chorale Monody, an adaptation of the early Italian Baroque form. He represents the second generation of composers who distilled a native German Baroque tradition out of forms and styles imported from Italy.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • Optional Timps, Tenor Drum & Triangle
  • All Alternative Brass Parts Included

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Description

Andreas Hammerschmidt was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. Hammerschmidt wrote music according to the strict Protestant canon. He wrote motets, concertos and arias, and almost all of his output is sacred vocal music in the concertato style. 

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

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