Machet Die Tore Weit

Composed by
Andreas Hammerschmidt 
Arranged by
Jock McKenzie
Price
£ 20.00 

Hammerschmidt wrote music in the form of the Chorale Monody, an adaptation of the early Italian Baroque form. He represents the second generation of composers who distilled a native German Baroque tradition out of forms and styles imported from Italy.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • Optional Timps, Tenor Drum & Triangle
  • All Alternative Brass Parts Included

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Description

Andreas Hammerschmidt was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. Hammerschmidt wrote music according to the strict Protestant canon. He wrote motets, concertos and arias, and almost all of his output is sacred vocal music in the concertato style. 

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

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