Marcos

Composed by
Brian Finnegan & Niall Vallely
Arranged by
Jock McKenzie
Price
£ 20.00 

Kan is a union of some of the finest and most influential performing artists from the traditional Celtic music world. A unique blend of beautiful flute virtuosity from Brian Finnegan and daring fiddle deftness, cemented by intuitive drumming and unfettered, playful guitar reinventions. Marcos comes from their critically acclaimed 2012 debut album Sleeper.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

Brian Finnegan (born1 969) is an Irish flute and tin whistle player from Armagh, Northern Ireland. Finnegan began playing whistle at age 8 and flute at age 10 as a student of the Armagh Pipers Club under the tuition of the Vallely family. He first came to public attention with the Irish group Upstairs in a Tent.


Niall Vallely (born 1970) is also an Irish musician from Armagh. In1966 his parents, Brian and Eithne Vallely founded the Armagh Piper's Club, but he chose to learn the concertina instead. His brother Cillian plays the uillean pipes and low whistle, another of his brothers, Caoimhin, plays classical piano, tin whistle and fiddle. In 1990, they formed the group Nomos, which released two albums before breaking up in 2000.

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

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