Mary's Boy Child

Composed by
Jester Hairston
Arranged by
Jock McKenzie
Price
£ 25.00 

Mary's Boy Child is a 1956 Christmas song, written by Jester Hairston.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Transposed Parts Included

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Description

Written by Jester Hairston, Mary's Boy Child is widely performed as a Christmas carol. The song had its genesis when Hairston was sharing a room with a friend. The friend asked him to write a song for a birthday party. Hairston wrote the song with a calypso rhythm because the people at the party would be mainly West Indians. The song's original title was He Pone and Chocolate Tea, pone being a type of corn bread. It was never recorded in this form. Some time later Walter Schumann, at the time conducting Schumann's Hollywood Choir, asked Hairston to write a new Christmas song for his choir. Hairston remembered the calypso rhythm from his old song and wrote new lyrics for it. Harry Belafonte heard the song being performed by the choir and sought permission to record it. It was recorded in 1956 and released as a single that year. Belafonte released it again the following year in 1957 on his album An Evening with Belafonte. One of the best-known cover versions of the song is from the German-based disco-group Boney M. This version returned the song to the top of the UK chart. It is one of the best-selling singles of all time in the UK. The song has been recorded twice by Andy Williams. It has also been recorded by Jim Reeves, Roger Whittaker, Kiri Te Kanawa, Tom Jones, Jose Feliciano, John Denver, Harry Connick Jr, Bryn Terfel and many others. The Bee Gees recorded the song as part of a medley with Silent Night for their 1968 album Horizontal.

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com
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