Mary's Boy Child

Composed by
Jester Hairston
Arranged by
Jock McKenzie
Price
£ 25.00 

Mary's Boy Child is a 1956 Christmas song, written by Jester Hairston.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Transposed Parts Included

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Description

Written by Jester Hairston, Mary's Boy Child is widely performed as a Christmas carol. The song had its genesis when Hairston was sharing a room with a friend. The friend asked him to write a song for a birthday party. Hairston wrote the song with a calypso rhythm because the people at the party would be mainly West Indians. The song's original title was He Pone and Chocolate Tea, pone being a type of corn bread. It was never recorded in this form. Some time later Walter Schumann, at the time conducting Schumann's Hollywood Choir, asked Hairston to write a new Christmas song for his choir. Hairston remembered the calypso rhythm from his old song and wrote new lyrics for it. Harry Belafonte heard the song being performed by the choir and sought permission to record it. It was recorded in 1956 and released as a single that year. Belafonte released it again the following year in 1957 on his album An Evening with Belafonte. One of the best-known cover versions of the song is from the German-based disco-group Boney M. This version returned the song to the top of the UK chart. It is one of the best-selling singles of all time in the UK. The song has been recorded twice by Andy Williams. It has also been recorded by Jim Reeves, Roger Whittaker, Kiri Te Kanawa, Tom Jones, Jose Feliciano, John Denver, Harry Connick Jr, Bryn Terfel and many others. The Bee Gees recorded the song as part of a medley with Silent Night for their 1968 album Horizontal.

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)
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