Minuano

Composed by
Pat Metheny & Lyle Mays
Arranged by
Jock McKenzie
Price
£ 25.00 

Minuano is the opening track of the 1987 album Still Life (Talking) by American jazz band the Pat Metheny Group. The track written by Pat Metheny and Lyle Mays was established as the mantra for the album, which prominently features Brazilian jazz-inspired works

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 1 Castanets (Optional)
  • All Alternative Brass Parts Included

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Description

Minuano is a cold southwesterly wind that blows in the southern Brazilian state of Rio Grande do Sul and in Uruguay, it is widely mentioned in the Gaúcho folklore of the region. This wind originates from cold polar fronts that come from the southwest of South America during periods of high atmospheric pressure, usually following rains caused by the shock of the cold front with warmer stationary humid air. Sometimes it produces a howling sound. As the opening track of the 1987 album Still Life (Talking) by American jazz band the Pat Metheny Group, Minuano was written by Pat Metheny and Lyle Mays, an album, which prominently features Brazilian jazz-inspired works. Jazz singer Kurt Elling also did a vocal version of this same song as the leading cut on his ManIn The Air album. Minuano is also the codename of one of the characters from the video game Metal Gear Rising, who is also Brazilian.

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com
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