Siboney

Composed by
Ernesto Lecuona
Arranged by
Jock McKenzie
Price
£ 25.00 

Siboney, also known as Canto Siboney, is a 1927 song by Cuban composer Ernesto Lecuona.

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  • 3 Trombones
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  • 1 Tuba
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Description

Siboney was part of the 1927 revue La Tierra de Venus, which featured singer Rita Montaner. The music is in cut time, originally written in C major. The lyrics were reportedly written by Lecuona while away from Cuba and is about the homesickness he was experiencing. The term Siboney refers to one of the indigenous tribes that inhabited Cuba before the arrival of the Spanish colonists and acts as a symbol for the island. Siboney is both the name of a coastal village in Eastern Cuba and of a neighbourhood in the Playa borough of Havana. Siboney became a hit in 1931 when performed by Alfredo Brito and his Siboney Orchestra. Other artists followed suit, including Caterina Valente, Dizzy Gillespie, Nana Mouskouri and Percy Faith. It was recorded by Connie Francis in 1960. An English version of the song was also recorded by Bing Crosby.The song inspired the Mexican-Cuban film Siboney, directed by Juan Orol and starring María Antonieta Pons. The song has an appeared in many movies such as the 1931 film Tarnished Lady, 2046 and Michael Bay's 2005 sci-fi dystopian film The Island. It was also used by Nino Rota in the score for Fellini's nostalgic memoir of the 1930’s.

Ernesto Lecuona y Casado (1895-1963) was a Cuban composer of Spanish Heritage.  Lecuona graduated from the National Conservatory of Havana when he was only sixteen. He was a prolific composer of songs and music for stage and film, which regularly used stylistic combinations of Spanish Zarzuela, Afro-Cuban and Cuban rhythmic patterns. In 1960, thoroughly unhappy with Castro's new régime, Lecuona moved to Tampa, Florida and lived his final years in the USA. He died 3 years later at the age 68; his will instructs that his remains be repatriated back to Cuba once the current régime runs its course.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

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