Stop the Cavalry

Composed by
Jona Lewie
Arranged by
Ryan Hume
Price
£ 25.00 

Stop the Cavalry is an anti-war song written and performed by Jona Lewie. In an interview, Lewie said that the song was never intended as a Christmas hit and that it was more of a protest song. The line Wish I was at home for Christmas, as well as the brass band arrangements made it an appropriately styled song to play around Christmas time.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

Stop the Cavalry's promotional video is set in the trenches of the First World War. The lyrics of the song mention cavalry and Winston Churchill, who served as the First Lord of the Admiralty in the first year of the war, but it also breaks with the First World War theme with references to nuclear fallout and the line I have had to fight, almost every night, down throughout these centuries. Lewie described the song's soldier as being a bit like the eternal soldier at the Arc de Triomphe. Jona Lewie is an English singer-songwriter and multi-instrumentalist, best known for both his 1980 UK hits You'll Always Find Me in the Kitchen at Parties and Stop the Cavalry. Lewie joined his first group, the Johnston City Jazz Band, while still at school in 1963, and by 1968 had become a blues and boogie singer and piano player. Despite Lewie's continuing development as a song writer and recording artist, he did not forget his early roots as a blues and boogie-woogie pianist evidenced by his providing blues piano playing for albums by American blues singer-guitarists Arthur Big Boy Crudup andJuke Boy Bonner in the late 1960s and early 1970s.

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com
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