Stop the Cavalry

Composed by
Jona Lewie
Arranged by
Ryan Hume
Price
£ 25.00 

Stop the Cavalry is an anti-war song written and performed by Jona Lewie. In an interview, Lewie said that the song was never intended as a Christmas hit and that it was more of a protest song. The line Wish I was at home for Christmas, as well as the brass band arrangements made it an appropriately styled song to play around Christmas time.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

Stop the Cavalry's promotional video is set in the trenches of the First World War. The lyrics of the song mention cavalry and Winston Churchill, who served as the First Lord of the Admiralty in the first year of the war, but it also breaks with the First World War theme with references to nuclear fallout and the line I have had to fight, almost every night, down throughout these centuries. Lewie described the song's soldier as being a bit like the eternal soldier at the Arc de Triomphe. Jona Lewie is an English singer-songwriter and multi-instrumentalist, best known for both his 1980 UK hits You'll Always Find Me in the Kitchen at Parties and Stop the Cavalry. Lewie joined his first group, the Johnston City Jazz Band, while still at school in 1963, and by 1968 had become a blues and boogie singer and piano player. Despite Lewie's continuing development as a song writer and recording artist, he did not forget his early roots as a blues and boogie-woogie pianist evidenced by his providing blues piano playing for albums by American blues singer-guitarists Arthur Big Boy Crudup andJuke Boy Bonner in the late 1960s and early 1970s.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com
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