Take Me Back

Composed by
A. J. Mills, Godfrey & Bennett Scott
Arranged by
Jock McKenzie
Price
£ 20.00 

Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War.

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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 1 Glockenspiel (Optional)
  • All Alternative Brass Parts Included

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Description

This popular music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916, was popular during the First World War, and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to "Blighty" - a slang term for Britain. Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: "One of us suddenly said “What an idea for a song!” Four hours later it was all finished, and the whole country was singing it soon afterwards. The chorus lyric "Take me back to dear old Blighty/Put me on the train for London town" was included in The Oxford Dictionary of Quotations. Recordings by Florrie Forde and Ella Retford are the most commonly heard versions, though Dorothy Ward first sang it. Jolly Old Fellows performed the song in 1930. British singer Kevin Coyne also released a version on his 1978 album Dynamite Daze, with piano accompaniment by Tim Rice. Noël Coward used the song for his 1931 stage production Cavalcade, about British life in the first two decades of the twentieth century and in the 1944 film This Happy Breed. It was also used in the 1954 Errol Flynn film Lilacs in the Spring. A further recording of the song by Cicely Courtneidge from the 1962 film The L-Shaped Room was sampled at the beginning of the title track of the album The Queen Is Dead by the Smiths. A version called Bring it back to Blighty, with different lyrics, was recorded as the England song for the 2010 World Cup.

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

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