That's A Plenty

Composed by
Lew Pollack
Arranged by
Jock McKenzie
Price
£ 20.00 

That's a Plenty is a 1914 ragtime piano composition by Lew Pollack.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 in Bb
  • Part 2 in Bb
  • Part 3 in F, Eb, C and Bb
  • Part 4 in Eb, C and Bb
  • All Alternative Transposed Parts Included

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Description

Lew Pollack was born in New York City, among his best-known songs are Charmaine and Diane. That's a Plenty is a 1914 ragtime piano composition by Pollack. Lyrics were added decades later and a number of popular vocal versions have been recorded, but it is more often performed as an instrumental. The composition started out as a rag but is nowadays more often than not played as part of the Dixieland jazz repertoire. The song has been recorded by numerous artists and is considered a jazz standard.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

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