That's A Plenty

Composed by
Lew Pollack
Arranged by
Jock McKenzie
Price
£ 20.00 

That's a Plenty is a 1914 ragtime piano composition by Lew Pollack.

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  • For Conductors, Teachers and/or Students
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 in Bb
  • Part 2 in Bb
  • Part 3 in F, Eb, C and Bb
  • Part 4 in Eb, C and Bb
  • All Alternative Transposed Parts Included

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Description

Lew Pollack was born in New York City, among his best-known songs are Charmaine and Diane. That's a Plenty is a 1914 ragtime piano composition by Pollack. Lyrics were added decades later and a number of popular vocal versions have been recorded, but it is more often performed as an instrumental. The composition started out as a rag but is nowadays more often than not played as part of the Dixieland jazz repertoire. The song has been recorded by numerous artists and is considered a jazz standard.

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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