The Earl of Salibury’s Pavane

Composed by
William Byrd
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; these arrangements were created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer learns to play all the parts to each piece while learning and experimenting how to record themselves, how to make a click-track, how to multi-track, mix, video-edit and much more…. Due to popular demand these are now available again to purchase for ensembles of 8 Trumpets

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Music for Brass Octet
  • In 2 Antiphonal Choirs
  • 4 Trumpets
  • 4 Trombones

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Description

William Byrd was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard and consort music. What little music that was published was overwhelmingly choral, as keyboard music required printing techniques yet to be perfected. Musicians were used to copying instrumental music by hand into family ‘commonplace books’, while wealthier families employed a ‘scribe’ to do this. A Pavan or Pavane is one of the many types of popular dances from the Renaissance Period composed by Byrd and other composers of the time. It was common practice for a Pavane (usually 4 beats in a bar) to be followed by a Galliard, which is another type of dance with a contrasting 3 beats in a bar. However The Earl of Salisbury Pavane has two Galliards. This Renaissance composition was written in memory of Robert Cecil, the  Earl of Salisbury.

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

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