The Man with the Painted Face

Composed by
Jock McKenzie
Arranged by
Price
£ 20.00 

Afrobeat was a genre of music born in the 1960s in Ghana and then followed by other West African countries. The music combined traditional musical styles of the region such as Highlife alongside the influence of American Jazz, Soul and Funk. The most prominent Afrobeat figure was the Nigerian musician Fela Kuti. Not only did he popularise this musical style in Western Africa, but globally too; often using it to carry a strong political message.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 – Trumpet / Cornet in Bb
  • Part 2 – Trumpet / Cornet in Bb
  • Part 3 – Horn in Eb or F / Trombone / Baritone / Euphonium
  • Part 4 – Trombone / Baritone / Euphonium / Bass Trombone / Tuba
  • (8va options for Bass Trombone & Tuba)
  • Assorted optional percussion - prioritise drum kit

Listen

Watch

Description

Part of a collection of thirty original compositions and arrangements entitled Ba-Da-Boom Brass.

Inspired by the heritage and culture of world and historical brass-related styles.

We hope this repertoire will prompt a growing inquisitiveness for brass players of all ages and styles and was created with a brass club or gathering in mind.

Set at a moderate / training band standard, these pieces can be played by a flexi group of mixed brass instruments plus assorted optional percussion.

A minimum of 4 brass players is necessary, but the maximum is limitless.

All 4 brass voices have occasional divisi passages; in these instances more texture and harmonic colour is added.

In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition
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