Three Galiards

Composed by
John Dowland
Arranged by
Jock McKenzie
Price
£ 20.00 

John Dowland was an English Renaissance composer, lutenist, and singer. His instrumental music has undergone a major revival and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Tambourine (Optional)
  • 1 Tenor Drum (Optional)
  • All Alternative Brass Parts Included

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Description

John Dowland (1563 – 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as Come, heavy sleep, Flow my tears, I saw my Lady weepe and In darkness let me dwell. His instrumental music has undergone a major revival and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Very little is known of John Dowland's early life, but it is generally thought he was born in London, although Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin but no corroborating evidence has ever been found. In 1580 Dowland went to Paris, where he was in service to Sir Henry Cobham, the ambassador to the French court and his successor Sir Edward Stafford. He became a Roman Catholic at this time. Around 1584, Dowland moved back to England and married. In 1594. A vacancy for a lutenist came up at the English court, but Dowland's application was unsuccessful – he claimed his religion led to his not being offered a post at Elizabeth I's Protestant court. From 1598 Dowland worked at the court of King Christian IV of Denmark, though he continued to publish in London. King Christian was very interested in music and paid Dowland astronomical sums; making him one of the highest-paid servants of the Danish court. Dowland performed a number of espionage assignments for Sir Robert Cecil in France, Italy and Denmark; despite his high rate of pay, Dowland seems to have been not only a court musician. However, we have in his own words the fact that he was for a time embroiled in treasonous Catholic intrigue in Italy.  Whatever his religion, however, Dowland was still intensely loyal to the Queen. Robert Cecil, 1st Earl of Salisbury (1563 – 1612) was an English statesman serving as both the Secretary of State for England and Lord High Treasurer. The principal discoverer of the Gunpowder Plot of 1605, Robert Cecil remains a controversial historical figure as it is still debated at what point he first learned of the plot and to what extent he acted as an agent provocateur.

In October 2006, Sting, who says he has been fascinated by the music of John Dowland, released an album featuring Dowland's songs titled Songs from the Labyrinth, on Deutsche Grammophon. He described his treatment of Dowland's work in a Great Performances appearance. To give some idea of the tone and intrigues of life in late Elizabethan England, Sting also recites throughout the album portions of a 1593 letter written by Dowland to Sir Robert Cecil. The letter describes Dowland's travels to various points of Western Europe, then breaks into a detailed account of his activities in Italy, along with a heartfelt denial of the charges of treason whispered against him. Science fiction writer Philip K. Dick referred to Dowland in many of his works, including the novel Flow My Tears, the Policeman Said (1974), using the pseudonym Jack Dowland.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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