Tiger Rag

Composed by
New Orleans Traditional
Arranged by
Jock McKenzie
Price
£ 20.00 

Tiger Rag is a jazz standard that was recorded by the Original Dixieland Jass Band in 1917, The band did not use the "Jazz" spelling until later.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets
  • 3 Trombones (or Euphonium)
  • 1 Tuba
  • 1 Drum Kit (Optional)
  • Alternative Parts Included, Suitable for Euphoniums

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Description

Tiger Rag is a jazz standard that was recorded by the Original Dixieland Jass Band in 1917, The band did not use the"Jazz" spelling until later. It is one of the most recorded jazz compositions. After the success of the Original Dixieland Jass Band recordings, the song gained national popularity. Dance band and march orchestrations were published for bands that had trouble playing jazz. Hundreds of recordings appeared in the late 1910s and through the 1920s. With the arrival of sound on films, it appeared on soundtracks to movies and cartoons when energetic music was needed. Tiger Rag had over 136 versions by 1942. Musicians who played and recorded it included Art Tatum, Benny Goodman, Frank Sinatra, Duke Ellington, Bix Beiderbecke, and Louis Armstrong, Charlie Parker even recorded a bebop version. During the early1930s Tiger Rag became a standard show off piece for big band arrangers and soloists here in the UK.

"This particular arrangement seeks to tell the story of this tune in New Orleans culture. Starting with a spiritual passage, it then moves through a more uplifting gospel mood, with a hint of what Jelly Roll Morton called the "Spanish Tinge". The piece bursts into life with a classic dixie style presentation concluding with a funkier edge in the manner of the present-day New Orleans brass bands.

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

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