Tower Music

Composed by
Jock McKenzie
Arranged by
Price
£ 20.00 

From the middle-ages, European towns and cities often had a protective wall built around them with gates and look-out towers. Watchmen were stationed in the towers to look out for danger (approaching enemies) and mark the significant times of day e.g. locking the gates at sun-down. It gradually evolved that musicians (waites) would often be assigned these duties and would play various musical signals and tunes to mark these events. Over time, composers began to write bespoke music for these groups of musicians (Stadtpfeifer) to play; both up on the tower and down in the town.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 – Trumpet / Cornet in Bb
  • Part 2 – Trumpet / Cornet in Bb
  • Part 3 – Horn in Eb or F / Trombone / Baritone / Euphonium
  • Part 4 – Trombone / Baritone / Euphonium / Bass Trombone / Tuba
  • (8va options for Bass Trombone & Tuba)
  • Assorted optional percussion - prioritise drum kit

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Description

Part of a collection of thirty original compositions and arrangements entitled Ba-Da-Boom Brass.

Inspired by the heritage and culture of world and historical brass-related styles.

We hope this repertoire will prompt a growing inquisitiveness for brass players of all ages and styles and was created with a brass club or gathering in mind.

Set at a moderate / training band standard, these pieces can be played by a flexi group of mixed brass instruments plus assorted optional percussion.

A minimum of 4 brass players is necessary, but the maximum is limitless.

All 4 brass voices have occasional divisi passages; in these instances more texture and harmonic colour is added.

In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)
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