The music is very loosely based on the opening chords of the Lamb by Taverner
The music is very loosely based on the opening chords of the Lamb by Taverner although there is no direct quotation. There is a theme which is played across different parts, this means that the balance is important throughout. The music changes key and develops to create a dramatic climax which results in the return of the initial material in a major key. Although the music is generally sombre, the piece has a very positive effect which is ideal for more reflective moments in the programme.
Keiron Anderson studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works.
