Fiesta

Composed by
Keiron Anderson
Arranged by
Price
£ 30.00 

Dedicated to David Oldershaw and Margaret Oldershaw MBE on the thirtieth anniversary of the Nottingham Symphonic Wind Orchestra

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Description

This is piece is a celebration and can be played at any happy occasion. It was written to celebrate 30 years of the Nottingham Symphonic Wind Orchestra in 2017. The music grows from syncopated rhythms and a five note motif which is use to form melody and chords. There is a strong rhythmic undercurrent in percussion and in the interplay between sections. The motif is clearly heard in the flutes and clarinets in an imitative section before the key changes to form a second theme on the oboe then the flute. These secondary themes are still formed from the original motif before the music recapitulates the multi time signatures from earlier in the piece. The relentless pace drives the music to a flourish of upper woodwind and a syncopated brass coda.

Dedicated to David Oldershaw and Margaret Oldershaw MBE on the thirtieth anniversary of the Nottingham Symphonic Wind Orchestra

Keiron Anderson studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works.



“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com
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