Sugarfoot Stomp

Composed by
Joe "King" Oliver
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; The Summer Chores was created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer plays all the parts to each piece while learning and experimenting how to record themselves, learn how to make a click-track, how to multi-track, mix, video-edit and more….

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 5 Trumpets
  • Also suitable for various combinations of brass instruments
  • All parts in Bb Treble Clef

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Description

Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including Dippermouth Blues, Sweet Like This, Canal Street Blues, Doctor Jazz and Sugarfoot Stomp. As a player, Oliver took great interest in altering his horn's sound. He pioneered the use of mutes, including the rubber plumber's plunger, derby hat, bottles and cups. His favourite mute was a small metal mute made by the C.G. Conn Instrument Company, with which he played his famous solo on his own composition the Dippermouth Blues. His recording Wa Wa Wa with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques.

 

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

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