The Barber of Seville

Composed by
Gioachino Rossini
Arranged by
Samantha Din
Price
£ 20.00 

The Barber has proven to be one of the greatest masterpieces of comedy within music and has been described as the finest Opera Buffa of all Opera Buffa. Opera Buffa is used as a description of Italian comic operas.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets (Tpt 1 doubles Picc Tpt)
  • 1 Flugel
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • All Alternative Brass Parts Included

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Description

The Barber of Seville is an opera buffa in two acts by Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première took place on 20 February 1816 at the Teatro Argentina, Rome. After two hundred years, it still remains a popular work. The opera recounts events that revolve around the clever and enterprising character named Figaro, the barber of the title.

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal
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