The Earl of Salibury’s Pavane

Composed by
William Byrd
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; these arrangements were created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer learns to play all the parts to each piece while learning and experimenting how to record themselves, how to make a click-track, how to multi-track, mix, video-edit and much more…. Due to popular demand these are now available again to purchase for ensembles of 8 Trumpets

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 8 Trumpets
  • Also suitable for various combinations of brass instruments

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Description

William Byrd was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard and consort music. What little music that was published was overwhelmingly choral, as keyboard music required printing techniques yet to be perfected. Musicians were used to copying instrumental music by hand into family ‘commonplace books’, while wealthier families employed a ‘scribe’ to do this. A Pavan or Pavane is one of the many types of popular dances from the Renaissance Period composed by Byrd and other composers of the time. It was common practice for a Pavane (usually 4 beats in a bar) to be followed by a Galliard, which is another type of dance with a contrasting 3 beats in a bar. However The Earl of Salisbury Pavane has two Galliards. This Renaissance composition was written in memory of Robert Cecil, the  Earl of Salisbury.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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