Mister Dynamite

Composed by
Jock McKenzie
Arranged by
Price
£ 20.00 

James Brown was a singer, songwriter and band leader. His voice was very much in the soul / gospel tradition, but as his popularity grew he started to Africanize his music by making it very rhythm based. Much of the accompaniment to his vocal lines required rhythmically interlocked parts and this in turn demanded greater instrumentation. The inclusion of a brass section within James Brown’s band was a major feature, paving the way for the Funk musical style that followed. Mister Dynamite was a nickname given to James Brown in recognition of his dynamic stage presence.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 – Trumpet / Cornet in Bb
  • Part 2 – Trumpet / Cornet in Bb
  • Part 3 – Horn in Eb or F / Trombone / Baritone / Euphonium
  • Part 4 – Trombone / Baritone / Euphonium / Bass Trombone / Tuba
  • (8va options for Bass Trombone & Tuba)
  • Assorted optional percussion - prioritise drum kit

Listen

Watch

Description

Part of a collection of thirty original compositions and arrangements entitled Ba-Da-Boom Brass.

Inspired by the heritage and culture of world and historical brass-related styles.

We hope this repertoire will prompt a growing inquisitiveness for brass players of all ages and styles and was created with a brass club or gathering in mind.

Set at a moderate / training band standard, these pieces can be played by a flexi group of mixed brass instruments plus assorted optional percussion.

A minimum of 4 brass players is necessary, but the maximum is limitless.

All 4 brass voices have occasional divisi passages; in these instances more texture and harmonic colour is added.

In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist
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